Dom (DiCaprio) with totem |
Writer, Director and Producer Christopher Nolan has created an intriguing and entertaining story filled with questions of what is real and what is a dream and that’s reinforced through clever narrative. It’s this various narrative structures that leaves audiences to question what narrative they’re seeing at several points in the film (whether it is dream or reality). It comes into question more as Cobb explains the nature of dreams to his new dream architect Ariadne. While there are one or two instances (which I still haven’t really figured out even after seeing the film twice) where dream and reality seems blurred, Nolan gives the audience plenty of cues to help them along but still leaving plenty of ambiguity in order to allow the audience to draw their own conclusions.
Like Nolan’s last film The Dark Knight, Inception’s action scenes are surprisingly light on CG elements instead relying on physical effects to achieve a similar effect. One the most visually stunning effects is the hotel sequence which see’s Arthur literally undertaking a gravity defying mission to help the team to wake up.
Inception is a really engaging film, it challenges audiences who at this time of year tend to check their brains in at the door to watch films to pick them up again and pay attention.
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